To Whom It May Concern

To Whom It May Concern explores the intimacy, tensions, and complexities of close relationships. Created between 2003 and 2010, these works draw from personal experience while reflecting on love, conflict, family life, and the shifting dynamics that bind people together.

Acrylic-and-charcoal painting of a man cradling a baby in his arms while bathing him.

Agua Fría

2006 · Acrylic and charcoal on cradled plywood · 30 × 40 in.

Acrylic-and-charcoal painting of an infant crying and screaming in frustration, powerless as his parents argue in his presence.

Whose Turn Is It Now?

2006 · Acrylic and charcoal on cradled plywood · 30 × 40 in.

Acrylic-and-charcoal painting of a child gazing upward with a puzzled and confused expression as his parents quarrel above him.

The Victimizers

2003 · Acrylic and charcoal on cradled plywood · 40 × 30 in.

Acrylic-and-charcoal painting of a mother and her baby nestled closely together as they nap after breastfeeding.

La Siesta

2006 · Acrylic and charcoal on cradled plywood · 30 × 40 in.

Acrylic-and-charcoal painting of a child in a blue knit cap and coat, looking outward with a solemn expression, while his partially visible mother watches over him protectively.

Pedro's Dilemma

2006 · Acrylic and charcoal on cradled plywood · 24 × 16 in.

Acrylic-and-charcoal painting of a child in a blue-and-brown cap and polo shirt enjoying a taco on a hot, sunny day.

Al Mediodía

c. 2006 · Acrylic and charcoal on cradled plywood · 24 × 16 in.

Acrylic-and-charcoal painting of a man hurriedly pushing a hamburger into his mouth with one hand while holding a plate in the other, as an offended older woman walks away.

The Feast

2003 · Acrylic and charcoal on cradled plywood · 40 × 30 in.

Acrylic-and-charcoal painting of a young girl covering her face in frustration as a woman gestures and reprimands her.

Here We Go Again!

c. 2008 · Acrylic and charcoal on cradled plywood · 32 × 18 in.

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